* 3 CDs full of tracks from critically acclaimed albums. Tracks include: There’s a Poison Goin On, Revolverlution, New Whirl Odor, Beatsand Places, Rebirth, Bring That Beat Back And How You Sell Soul To A Souless People Who Sold Their Soul???
* 3 DVDs including performances, videos, and documentaries post 1999 on the legendary PE story fans are yearning for.
* Brand new track single ‘Say It Like It Really Is’ specially released for the box set
* And remixes included throughout this rare release
* Thirty six page saddle stitch photo book
* T-shirt designed exclusively for the package
* Chuck D signed lithograph
* Collector’s edition Public Enemy embossed logo package
Bring The Noise Standard Edition Box Set – $29.99
* 3 CDs full of tracks from critically acclaimed albums
* 3 DVDs including performances, videos, documentaries
* Brand new track single ‘Say It Like It Really Is’
* Sixteen page description and photo booklet
* Unique Public Enemy housing package
Public Enemy Exclusive Box Sets Coming Soon 4 All You Die Hard Public Enemy Fans… Get Yours While You Can…
1.SPREE INTRO
2.GOOD DAY-YUNG LYNX 3.NO TIME TO RELAX-PETE G FT CASHIS,KOBE
4.PUT YA CUPS UP-YOUNG HU$TLE FT LIL FLIP
5.DIPPIN THESE HATERS-SCZAR
6.I DON’T KNOW WHT’S GOIN ON-TOUCH
7.BETTER-V SQUAD
8.DO MY THING-NICE PAIN
9.MANNIE FRESH-WES FIF
10.THE BOTTOM-MOTA FT G14 PATS JUSTICE SUAVE SMOOTH
11.WON’T LEAVE-DOX
12.ON MY GRIND-CASHIS
13.I’M ON THAT-SUAVE SMOOTH
14-REPRESENTIN-GRAN CENTENNIAL
15.TILL THE CASKET DROPS-MIC CORELEON FT FRECK BILLIONAIRE
16.AROUND HERE-BLACK NICC FT LIL BOOKY
17.HELLO GOOD MORNING-FRIME FT SPARK
18.EVERYWHERE- CHYLLZ
19.KEEPING IT UP-FIRE RED
“Mixing the elements of refined style and representing them from the runway to the streets.” is what newly-founded brand Chivalrous Culture stands for. Their products clearly represent their motto by incorporating premium materials with bright colors and here is a look at 3 new pairs they will be releasing this Summer. What do you think?
In a surprising turn, three artists noted for their mixtape work have decided to release their next tapes for retail purchase. After last year’s So Far Gone by Drake attaining gold status, Amazon.com has revealed that impending mixtapes from Waka Flocka Flame, Vado and Joe Budden will all get a retail release.
Waka Flocka’s Flockaveli and Vado’s Slime Flu will be hitting shelves this October 5, while Joe Budden’s highly anticipated Mood Muzik 4: A Turn for the Worse gets an October 26 release. Both Slime Flu and Mood Muzik 4 will be released via E-1 Music, while Aylum Records will handle Flockaveli.
There is no word as to whether the three mixtapes will also be released for free download. All three mixtapes are currently available for pre-order at Amazon.com
Swagg Boss & 40 Gloc chopping it up in L.A. Be on the lookout for the new T-Shirt coming from the Gorgeous Gangsters Collection.
‘I Only Listen To The Bad Guys’
Directed by Jim Jarmusch. With Forest Whitaker, John Tormey, Cliff Gorman. …Ghost Dog
The director speaks about working with Wu members and why he thought ODB and RZA were on ’shrooms one day.
Independent filmmaker Jim Jarmusch has stories to share about working with Wu-Tang members. After collaborating with RZA for his Ghost Dog: The Way of the Samurai film, he decided to speak to The Village Voice about his experiences with Wu’s RZA, the GZA and the late ODB.
According to Jarmusch, he had to look for RZA.
“I had to hunt RZA down,” he shared. “I wasn’t getting anywhere through the management–normal things. I just started asking some friends, and within two days, I was sitting with RZA in a studio in Midtown at 3 a.m., meeting for the first time. We got along really well, and we just started talking about everything, and by the end of that night, he was like, ‘Yeah, yeah, I’m down. When should we start? What should I do?’ Him and GZA are like encyclopedias of martial-arts film. They don’t just know every director and actor; they know who choreographed the fight scenes, who did the design, who did this and that.”
Respecting their knowledge, he also decided to collect Wu beats to help him in giving RZA directions.
“I had collected all the Wu-Tang vinyl with the instrumental B-sides, so I could say, like, ‘I like this floating, damaged beat. I like this stutter, this trippy slow thing.’ We decided that we won’t do cues to the film. You’ll hand me off music, I’ll put it in the film, but don’t score to certain sections. . . . One of the coolest times: He came in with ODB, and we spent the whole day with ODB watching the placement of the music. That was amazing.”
Jarmusch went on to add that he felt the two emcees were on something when they came to visit him.
“I think they were on mushrooms or something, though—they were acting very peculiar. Every five minutes or so, ODB would jump up and go, ‘Yo, yo! Stop the machine! Earth, Mars, Venus: Pick one!’ And RZA would go, ‘I got this. Earth.’ And he’d go, ‘OK, start it up again.’ He was amazing. I wanted to go in and film him—we were going to go in when he was locked down. Go put a camera on ODB and let him talk about any fucking thing he wants. We never got to do it. That’s a big regret.I had to hunt RZA down. I wasn’t getting anywhere through the management–normal things. I just started asking some friends, and within two days, I was sitting with RZA in a studio in Midtown at 3 a.m., meeting for the first time. We got along really well, and we just started talking about everything, and by the end of that night, he was like, ‘Yeah, yeah, I’m down. When should we start? What should I do?’ Him and GZA are like encyclopedias of martial-arts film. They don’t just know every director and actor; they know who choreographed the fight scenes, who did the design, who did this and that.”
For more of the interview with the director, check The Village Voice.
